![]() ![]() Presets on your DSLR will probably be denoted with intuitive icons - a cloud, a domestic light bulb, etc. Presets are calibrated to compensate for lighting situations such as tungsten bulbs, fluorescent lighting, and overcast days out-of-doors. You will likely have an automatic setting and perhaps a few presets. ![]() Your camera's white balance allows you to compensate for lightning temperature and keep your colors clean and accurate. Your customers need an accurate representation of the product they are purchasing!) How to keep your (white) balance Those are great, but remember, for product photography, accuracy is the name of the game. ( You might be thinking of some cool photos where pros used a color cast to their advantage. At those numbers, you won't see the yellow or blue color cast that happens at lower or higher temps. Have you ever notice a blue cast in your outdoor photos? The reason is the cool color temperature outside at the time.īetween 5,000 and 6,000 Kelvin is your ideal, neutral light range. As an example of the cool end of the spectrum, overcast daylight will register around 7,500 Kelvin. In contrast, were you to use your onboard flash ( which you really shouldn't because it's so harsh), you would get bright, clean white light, 5,000 Kelvin. If you've ever paid attention to your light bulbs, you might have seen their Kelvin rating.Ī 3,000 Kelvin bulb is a warm - white plus soft orange, like a sunset. Let's start with light's color temperature. So, we are going to dish on all the best tips and tricks to make the most of light when it comes to your product pictures. Your camera is sensing how much light it is getting from the image and how much light is being reflected back into the camera. Keep in mind that your camera sees things differently than your eyes. So, the next time you have cutlery, knives, guns, jewelry, or anything shiny in your shot, remember these tips and play with light to get the most details out of those reflective objects.Light is the most important part of photography! It doesn't matter how spectacular your products look or how state-of-the-art your camera is if your photography lighting is bad, your pictures are going to suck. You’ll find a helpful explanation about it here. Last but not least, when you shoot shiny metal objects, pay attention to the angle of incidence a.k.a. At the end of the video, you can really see how the image improves and the knife gets more details as Jay builds up the lighting set. Jay uses a bit of putty to slightly angle the knife towards the camera, so the logo on the blade really stands out. Other than playing with lights, reflectors, and flags, you can also adjust the angle of the product you’re shooting. ![]() Finally, he adds another white reflector on the other side of the dagger. Then, he adds a light at the back, with a blue gel to add a bit of a cold vibe to the steel. However, since the overall shot is a bit dark, he adds a white reflector to bring back some of the highlights. Even at this point, the result is already much better! Jay guides you through his process of building a lighting set for this particular blade, and he starts by bringing in a black card at the same angle as his softbox. So, instead of shining your light straight into the product, you want to create a gradation on the metal. It makes the blade look dull, almost like plastic, and loses all of the details. It may seem like a perfect solution – but it’s really not. When he points the light straight into it, it reflects it and shines bright in the image. As an example, Jay photographs a beautiful dagger with a shiny blade and a gorgeous metal handle. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |